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The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included. |
Production personnel may include: | camera operators, e.g. first assistant camera, second unitcostume designerdirector/producerfloor managerfloor managergaffergripheads of departmentlighting directorlocation managerother specialist staffother technical staffproduction managerset designertechnical director. |
Production requirements may include: | budgetsfilm or digital productionlocations period, e.g. historicalpost-production requirements, e.g. editing styleproduction genrestyle timelines/deadlines. |
Shoots may include: | combined video and audio functiondaytimeexternalfixed/supported hand-held operationinteriorlocationnight timeseparate video and audio record functionssingle-camerastudio. |
Research may include: | actual eventsaudience analysis in location for productioncharacterscultural/historical contextenvironmentimagination/inspirationlife experiencelocationsnewspapers/magazinesnotespaintings/photographs/sketchesperiodreview of enterprise objectivesreview of other productions, e.g. moviessettingssocial analysis (current or historical). |
Productions may include: | advertisements/commercialsanimationsdocumentariesfeatures interactive medialive on-stage performancespromotions/presentationsshort filmstelevision series/serials, e.g. dramatraining videos. |
Camera plans may include discussion of: | budget implicationscamera movementscamera set-uphow creative production requirements will be metlighting requirementsnumber of cameras requiredOHS considerations.personnel requiredpositioning of sets or other physical elementsshooting material under special conditions, e.g.:underwaterfrom moving vehiclesstudio and/or location constraintstimelines. |
Equipment and accessories may include: | autocue monitorbatteriescablescameras, e.g.:digital - digital Betacam, DVC Profilm - Arriflexcamera supports, e.g.:pedestalmountscranesdolliestracktripodsspreadersfluid headshotheadsmicrophones - fixed, pole, lapelchange bagscue card holdersheadphonesfilters, e.g.:colour correctioncolourgraduated: hard-edge, soft-edge, attenuated coloured, neutral densitycorrection filtersultravioletpolarisingchromaticnon-specific colourenhancerslens hoodlenses, e.g.:fixed zoom wide-angle macro micromagazinesmobile phonesspecial effects equipmenttalkback facilitytape recordertwo-way intercom. |
Stock may include: | analogue format, e.g. Beta SPdigital tape, e.g.:Beta DVC Promini-DVfilm, e.g.:16 mm35 mmHDTVSDTVvideo disks. |
Shots may include: | close-upcutaway shotestablishing or master shotextreme close-upeye-level shothigh-anglelong shotlow-anglemid shotoverhead shotpoint-of-view shotwide shotzoom. |
Other participants may include: | actorsambulance and medical staffcouncil stafffire brigadegeneral public, e.g. studio audiences, spectatorsintervieweesinterviewersjournalists/reportersperformerspolicepresenters. |
Lighting requirements may include: | types of luminairesarchitectural fixtures digital moving (intelligent) lightskey lightfill lightback lightbounced lighteffect light, e.g. on backgroundsHMI (hydrargyrum medium arc-length iodide)light meters.lights and accessories, e.g.: luminairesfloodsmoving lightsgobosinterior lightsspot lightflood lightspecial effects units, e.g.:electrical/electronic propsstrobes, mirror balls and motors, smoke machines, fog machines,ultraviolet light, oil and water crackers, effects projectorstheatre-based unitsstudio and location unitstungsten |
Artistic and style needs may include: | aestheticscamera height and distance from subjectcamera positioncompositioncontinuitydurationframingmovementshot typetiming. |
Camera movements may include: | crabcrane rigsdollypanphysical relocations/movementtilttrack in/outzoom in/zoom out. |
Documentation may include: | camera planscomputer generated/manually writtenemails/SMSequipment and accessories listslighting plansproduction schedulesrunning sheets screenplayscriptsshot lists. |
Editing activities may include: | aspect ratioscamera videotapescolour gradingcomputer disksframe ratio and ratesretakesrushesscript and script changessound effects librariessound tracks tempo - duration of shots and segmentsuncut film footage, e.g.:work printsnegative printsA and B rolls. |